Lewat Djam Malam

After the Curfew

by Usmar Ismail

Indonesia - 1954

Sunday, June 2th • 4PM
At Chaktomuk

Feature Film - 101mn

B&W

Indonesian with English subtitles

Screenplay Asrul Sani

CinematographyMax Tera

MusicG.R.W. Sinsu

CastA. N. Alcaff, Netty Herawati

Format35mm – Mono

GenreDrama

First Release1954

Restored Version2012

AwardsIndonesian Film Festival 1955, Best Picture, Best Screenwriter, Best leader Actor, Best Supporting Actor, Best Artistic Direction

ProductionPerfini Production




SynopsisShortly after the Dutch recognise Indonesia’s independence in 1949, the military in Bandung, West Java, establishes a curfew. Iskandar (A.N. Alcaff) has been released from the Indonesian Armed Forces and is almost shot when he arrives in Bandung. He stays at the home of his fiancée Norma (Netty Herawati) and her family. The following day, Norma’s father sets Iskandar up with a job at the governor’s office while Norma and her brother go shopping for a welcome-home party. The job goes poorly, and Iskandar is quickly fired.

AboutLewat Djam Malam was first screened domestically in 1954. Lewat Djam Malam is generally considered a classic of Indonesian cinema. Film historian JB Kristanto writes that Lewat Djam Malam was Ismail’s work which most showed Indonesian history; he considers Ismail the first Indonesian director to use film as a means of expression and not simply as a way to make money, and opines that no film in Indonesian history could match Ismail’s achievements with Lewat Djam Malam. Karl G. Heider, writing in 1991, noted that the film was a strong example of early Indonesian films with an emphasis on individualism.

Selective filmography of Usmar Ismail
(1921 – 1971)

1950 – Darah dan Doa

1951 – Enam Djam di Jogja

1953 – Krisis

1954 – Lewat Djam Malam

1955 – Tamu Agung

1956 – Tiga Dara

1960 – Pedjuang

With the courtesy ofSingapore Cinematheque and World Cinema Foundation